Showing posts with label history. Show all posts
Showing posts with label history. Show all posts

Wednesday, December 4, 2013

Auditions opening for a new Idle Rogue production!

Produced by Guerilla Burlesque (SL) and Idle Rogue, Le Cirque de Nuit will be a brand new concept show based very loosely on Erin Morgenstern's novel, The Night Circus.
We will be auditioning acts for this production, scheduled to open late January, and we encourage potential dancers to submit a concept for audition as follows:

  • Your act must be suitable for a Victorian or steampunk circus, and should focus on magical, illusion and/or exotic. We will consider dance acts, but we also want illusionists, acrobats, contortionists, animal tamers, trapeze artists and similar
  • Your act must be set and costumed entirely in black, white, and grey. You can use any flesh, black, white, or grey skin, and any hair colour. Props including animals should be within the colour palette. Avatars, costumes, props and equipment must be of very high quality and realism.
  • You must be willing to work with the production team to ensure your act is of very high quality, including preferably allowing the staging team to rez your sets and equipment to ensure a tight and fast flowing production.

IMPORTANT: Please do not purchase or build equipment for this production until your audition has been approved.

Additionally, please note that we are not seeking to recreate The Night Circus, and will not be filling roles from the book. This production is an homage that imagines if that circus existed and how it would play, but you do not need to have read the book to participate.

You can present your concept by notecard to Chryblnd Scribe inworld or Word document attached to email - idlerogue@gmail.com. Please include links to music and costumes and a short description of what your act would be and what (if any) experience you have had with dance entertainment in the virtual world of Second Life.

Please submit your concept by December 13th, 2013,and be ready to audition on or around December 28th.

These auditions are open to any Second Life Resident as invited by our selection panel, and their decision will be final.

We are very keen to encourage auditions from across the grid. Please contact chryblnd Scribe by email - idlerogue@gmail.com - or inworld IM if you have any queries, our plan is to help as much as possible so that we get the very best acts for this production.

We have an FAQ notecard, some costume ideas and more information available inworld on request. Please do not send offline IMs, use notecards or email to avoid your message being lost.



Monday, June 28, 2010

The History Of Idle Rogue - Part Four

The Yeonghuengdo sim, and particularly the sim's manager, Dave Koi, were very good to us. From building my first landmark giver, to covering my ass when connection issues prevented me from getting live musicians sorted, Dave was always available and always helpful. And every time I cried "I need more prims!", somehow, he found them for me. We loved the rolling hills of Yeo, and I thought I would never leave them.

In March 2010 we staged a major production - Bowie Bravin vs The Beautiful Freaks (see the video here). Working with singer and lyricist Bowie Bravin over several months, we put together a stunning show that featured dance interpretations by The Beautiful Freaks on a purpose-built exploding stage by Slappy Doobie. The show, while not financially successful, was beautifully done and extremely popular. And it became obvious that The Beautiful Freaks could draw an audience - if we had the capacity. Yeo, with its' limit of 40 avatars, could hold us back.

Serendipitously, Slappy Doobie completed the acquisition of one half of the Viva La Glam sim, and began to consolidate her two holdings - DecoRetropia and Digital Vixens - onto one sim. The natural focus would be burlesque ... and Idle Rogue's main source of income and attention was burlesque. Within days of Slappy taking up her Viva La Glam holding, the other half became vacant, and the decision to move Idle Rogue was an easy one.

On the 21st of May, 2010, Idle Rogue took its' place on the home of virtual burlesque, and the future began.

Sunday, June 20, 2010

The History Of Idle Rogue Part Three

The Beautiful Freaks Burlesque Circus was born in September of 2009.

I loved my work in traditional burlesque, but increasingly I wanted to work with non-traditional musical genres. I am a rock chick, and it occurred to me that people might enjoy a show that combined the growing skills of the Virtual Burlesque team with a modern, dark carnival ethic. I had visions of presenting an "arena" type show on the Idle Rogue stage, but in acquiring the extra prims necessary, I acquired a little more physical space. Searching for props at (*chanimations, we found the Circus tent, and everything simply fell into place.

The team of Beautiful Freaks included some of Idle Rogue's staunchest supporters - the incredibly talented Slappy Doobie and her partner, Ellie Criss, Jewellah Magic, Tilly Theas, Katherine Burkett, Madb Muircastle, Knowledge Tomorrow, Else Barnard and Sabina Pinion have all given their total love and support from the very first day. In the months since then, Madison Pinelli, Flidais Etchegaray, oOTWITCH JigsawOo, Alexis Direwytch, Purple Direwytch, Budley Stoanes, Endo Devin, Zabet Weatherwax and Boo Eberhardt have brought their creative talents to the ring.

The Beautiful Freaks Burlesque Circus now runs every friday at 7pm, and draws a solid audience every week. They saved Idle Rogue, injecting it with new blood and a fresh purpose. Their presence on Idle Rogue draws some of Second Life's most interesting avatars to us, and across the months, the Beautiful Freaks have grown into a loose, loving, crazy family, whose home is Idle Rogue.

Idle Rogue - Beautiful Freaks Circus (exterior)

The History Of Idle Rogue Part Two

The Idle Rogues

Taking the lessons learned from Idle Rogue Live, yop commenced the build of the Idle Rogue best known to Second Life. We wanted a stage adequate for any kind of performance. We wanted a big roomy dancefloor. We wanted it to look unlike any other venue.

Yopilax Jigsaw is a gifted content creator. He took the words I typed and drew forth the building I wanted, and Idle Rogue commenced hosting regular live performances. Artists who have performed there include FacelessAPe Mefusula, AMforte Clarity, Starflower Orbit, JimmyT49 Dukes, LANCE Rembrandt, EAR Oh, Gabryel Nyoki, Bowie Bravin, Shane Kirschner, Armin Finesmith, Strummer Vultee, Loreen Aldrin, Deep Sky Traveler, JordanReyne Deezul and the great Kiplan Carlyle.

In July of 2009, First Life took some storms, and as a result, the course of Idle Rogue changed in subtle ways. Yop left Second Life, and his influence on the buildings grew fainter. Idle Rogue was no longer able to afford the fees required by live performers, so the weekly gigs dwindled down. Kiplan Carlyle imploded, and in the aftermath of that, kloose Fretwerk arrived. DJs took the place of live music to a large extent. And The Beautiful Freaks arrived to save the day.

Wednesday, June 16, 2010

The story of Idle Rogue - Part One

Postcard from Second Life.
It began because I fancied I would be a builder. It began because my then SLove, yopilax Jigsaw was a builder, and it began because my FL friend Knowledge Tomorrow lived on a wtf sim named Yeongheungdo. We moved into Yeo in November of 2008.

Idle Rogue was named for yop, whose rogue tendencies are well known on many forums. The name came, and it stuck. At first it was a pavilion amongst the trees, a place for us to hang out, build and listen to music.

And then I saw JimmyT49 Dukes play the blues in Second Life. At that time, yop was finding the time he spent in SL was taking a toll on his FL, and he began to spend less time inworld. I needed a project, so I put in a platform to stage party. I watched JimmyT49 do his thing on another sim and thought (as so many of us do) "I wanna host live performers!".

Our "opening" gig was a 12 hour music festival. Kahless Unplugged and I scoured the grid for the artists we considered truly talented, and yop and I collaboratively built a stage and rigging. I had no idea how to set a stream, booked artists didn't show up or showed up at the wrong time, the stage disappeared from under Digby Smalls' feet ... but I was hooked. Naive ... and totally hooked.